When The Grand Budapest Hotel opened last weekend, Husband and I missed it. It was only playing in one theatre and it sold out. (Get your shit together, Vancouver.)
One week on, even with a wider release, we barely squeezed into the theatre.
Casting glances around to our fellow movie-goers, I realized that the stereotype of the bespectacled, cardigan-ed Wes Anderson fan isn’t true at all. Every demographic was there: from child to senior, with every Millenial, Gen-X, and Boomer in between. My parents even like Wes Anderson movies even though I suspect they’ve never discovered they are all by the same guy.
Last night’s viewing of The Grand Budapest Hotel wasn’t the usual Friday night blockbuster experience. This film managed to have the varied population of Coquitlam in the palm of its hand. You could hear and feel the audience’s presence the whole time: not just laughter, but gasps, cheers, held breath, and the absence of muttering, talking, and rustling.