What do you do when your usual writing techniques and traditions stop working?
First: get rid of the idea that you need the Muse. The Muse is like that friend who always replies that they’re coming to your event and *maybe* shows up at one of them, late and already a little buzzed. If we waited for the Muse every time we sat down to write, nothing would get done. Continue reading “Breaking Down the Writer’s Block”
I keep tiny notebooks of log-lines. These are brief kernels – nay, seeds – of a story. This something I picked up from film: the need to pitch a story in a single phrase. It has been an invaluable trick not just for getting to the heart of an otherwise complicated story, but for brainstorming writing prompts. Continue reading “On Keeping a Log-Line Book”
So a while ago I started posting chapters of a genre mash-up, satirical novel online before I panicked and took them down after realizing that they (a) weren’t at the calibre I could achieve, and (b) were not going to be produced as expediently as I hoped.
I’ve since been working on it again.
I decided to shift the tone of the book (first in a series maybe?) when I stepped back and started examining what sort of genre satires and parodies I enjoyed myself. And I realized that I preferred riffs on genre that don’t make fun of the genre in as much as they exemplify it. Continue reading “Triangulating the Text”
Since about 2010, I’ve been keeping writing notes in Blueline notebooks. I go through two or three a year. I’ve just started my fifteenth.
It’s remarkably arbitrary when I finish a notebook; I simply run out of pages. From there, I have to plan a trip to Staples, select a notebook. Sometimes they’re all out of my usual model, so I adapt.
Continue reading “State of the Union”