the comparative value of write-ins
Last month, I had the opportunity to participate in a “write-in” as part of the New West Festival of Words 2018. Having never taken part in a write-in before, I admit I wasn’t sure what to expect. Would it just be three hours of writing time? Would it just journalling?
As it turns out, it was an elaborate challenge to my writing process. Continue reading “Rifling through your Wordhoard”
when do you just have to let it go?
Everyone knows nothing’s perfect after the first draft.
But how many drafts are you supposed to write? Where is that fine line between honing a work and polishing a turd? When do you accept something as a failure–nay, a learning experience?
I think the answer is when it is holding you back.
Perhaps you’re too focused on that one piece that you’re neglecting to think of others. What you imagined was your opus is now your albatross. Something a colleague once said to me in the editing room, “You just have to let it go, man.”
Let it go.*
Sounds easy, sure. But, wow. It’s not.
Continue reading “Reworking a Draft”
My flash fiction piece “Nineties Kid” appears today at Every Day Fiction.
Happy New Year everyone and it’s an honour to be the last story of 2017, despite how dreadful this year has been. Raise a glass to 2018; live long, prosper… all of that!
What do you do when your usual writing techniques and traditions stop working?
First: get rid of the idea that you need the Muse. The Muse is like that friend who always replies that they’re coming to your event and *maybe* shows up at one of them, late and already a little buzzed. If we waited for the Muse every time we sat down to write, nothing would get done. Continue reading “Breaking Down the Writer’s Block”
I keep tiny notebooks of log-lines. These are brief kernels – nay, seeds – of a story. This something I picked up from film: the need to pitch a story in a single phrase. It has been an invaluable trick not just for getting to the heart of an otherwise complicated story, but for brainstorming writing prompts. Continue reading “On Keeping a Log-Line Book”
So a while ago I started posting chapters of a genre mash-up, satirical novel online before I panicked and took them down after realizing that they (a) weren’t at the calibre I could achieve, and (b) were not going to be produced as expediently as I hoped.
I’ve since been working on it again.
I decided to shift the tone of the book (first in a series maybe?) when I stepped back and started examining what sort of genre satires and parodies I enjoyed myself. And I realized that I preferred riffs on genre that don’t make fun of the genre in as much as they exemplify it. Continue reading “Triangulating the Text”
After extensive note-taking and a few false starts, just over two months ago, I actually sat down and starting writing that young adult subterranean fiction piece I first thought of more than half my life ago. (it is now best described as *bracing myself* a dystopian YA novel-meets-Jane Austen.)
I’ve learned through this project the importance of persistence.
I learned how to effectively deal with something that’s not working. Rather than just giving up or sitting around waiting for it to get better I learned to change my approach.
I started writing this story just for fun, just to write and see what happens. Continue reading “The Importance of Just Getting it Done”
The first review came in for Redwing: Speculative Fiction Takes Flight. It is a glowing review from fantasy magazine Black Gate that also includes an enlightening discussion about the increasing visibility of small presses and what that means for niche readers and writers.
Be sure to check it out and discover other amazing authors in Redwing!
a rare excursion into poetry
I’ve written a total of about four poems in the last seven years. Two are terrible. Another two, not so bad.
One of those not-so-bad two, Madrid, Before a Recession, appears in Ataraxia Vol. 4.